PRESS/PHOTOS
Resources:
Click here for a .pdf of this press
Click here for a .pdf of Bennett’s
Bio (full)
Click here
for a .pdf of Bennett's Bio (medium- one paragraph)
Click here
for a .pdf of Bennett's Bio (short- one paragraph)
Click
here for a .pdf of Bennett's Curriculum Vitae / Resume
Click
here for a .pdf of Paster, Ryan & Hall Skyline press
release
Click
here for a .jpg of Bennett’s head shot: Color
Click here for a .jpg of Bennett’s
head shot: Black & White
Click here for a .jpg of Paster,
Ryan & Hall’s promo photo
Selected recent press and reviews:
“Paster, who competed in last year’s [Great American Jazz Piano]
competition, displayed a free-form jazz style. His piano interplayed
with the rhythm section. The solos were a series of keyboard events.”
The Times-Union,
Jacksonville, FL 4/8/2005
By Dan MacDonald
“[Of the five finalists in
the 2004
Great American Jazz Piano Competition] Bennett Paster probably got the
biggest response from the audience after he played
“Yearnin,” an Oliver Nelson tune that swung.”
The
Times-Union, Jacksonville, FL 4/30/04
By Eyder Peralta
Critical Praise for Paster, Ryan
& Hall's new CD: Invisible
Horizon
Bennett
Paster's effort with this trio [is] a most exciting listen, for he is
certainly avoiding clichés while taking the masters to heart, and
forging his own personal brand of modern music. Paster wrote [five] of
these pieces including "Bunzo Bean," which inexplicably sounds like a
Bill Evans' take of "Watch What Happens." A brisk, quick waltz time
identifies "The Wild Kitties," and tenor saxophonist Chris Cheek joins
the band for "Epiphany" and the bright, bouncy title track. There's no
wasted motion with an effortless, clean, smooth dynamic throughout, but
Paster takes some chances interpreting standards. "Sweet &
Lovely"
uses a modal arrangement and a stretched melody, "East of the Sun"
atypically bops and bounces with a hip contemporary rhythm, while
bassist Gregory Ryan fronts the lead line of "Everything I Love." Ryan
and drummer Keith Hall are equal partners in this democratic trio, each
adding three compositions collectively, [Paster]'s heavy spirit song
"Dark Day" being the most noticeable. As a collection this CD stands up
well upon repeated listenings... showing plenty of promise for Paster
and his mates to make a definitive statement of new jazz somewhere
along the road. (****)
AllMusic.com, Michael
G. Nastos
Click here to read the entire text
of the review.
Critical Praise for Paster, Ryan & Hall's debut CD: Skyline
"Let the sidemen have their say. These rising
players have collectively amassed an impressive list of credits behind
jazz notables. But one thing is clear: They've definitely found their
musical soul mates in each other. On their own indie release, pianist
Paster, bassist Ryan and drummer Keith Hall radiate warmth, vitality,
robust melodicism, and an effortless swing. All three contribute strong
writing, and Paster's ballad, "If I Said Goodbye," is a gem. With a
nimble, grooving, 'melodic' touch, Hall knows how to tell a story.
Elegant." (*****1/2 out of a possible 5)
Modern Drummer,
September, 2005
by Jeff Potter
"Part of the appeal throughout [Skyline] is
Paster's willingness, within a mainstream framework, to take chances.
He and the trio sound relaxed, optimistic, vivacious, and Paster's
hands have an infectious percussive exuberance. A beautifully melodic
effort, start to finish. "
AllAboutJazz.com March,
2005
by Dan McClenaghan
Click here to read the entire text
of the review
"[Bennett
Paster’s trio CD Skyline] with
bassist Gregory Ryan and drummer Keith Hall features straight-ahead
jazz - songs by all three members and a few standards- played with
sparkle and originality."
The Santa Fe Reporter,
April 28, 2005
By Paul Weideman
Critical Praise for CDs by Organic! Sweets
"If you’re a fan of improvisational, psychedelic tastiness, check out Sweets.
Brooklyn’s Bennett Paster creates mellow organ work, and also
shades his tracks with clavinet, Wurlitzer, piano and Nord Lead 2 using
a dissonant touch that would make John Medeski proud.
Highlights
include “Larry the G,” a tune in which the Nord makes for a
particularly cool under-water sounding interlude and the title track,
which travels from shimmering organ underneath a soaring, Pink
Floyd-esque guitar to hard, wah’d out Wurly. Plenty
comfortable with disparate harmonic colors and expressive keyboard
textures, Bennett always seems to know just when to change things up,
organically (heh) shifting the groove from chill to intense,
introspective to full-on-rock."
Michael Gallant,
Keyboard Magazine, February 2007
Unsigned Artist of the Month: Organic!
The Undoing
"Groovy, improvised funk and R&B
instrumentals are the brainstuff of this New York city trio. While the
key centers are largely static, gonzo musicianship, telepathic group
interplay, and some mindbending effects combine for a thoroughly
engaging listen. Like the best signed jam bands, Organic! squeezes
every drop of polyphony out of their (trio) instrumentation.
Keyboardist Bennett Paster spends most of his time on the Hammond
organ, but visits other vintage keys as necessary. Check it out!"
Keyboard Magazine, May 2005
Reviews and Commentary about
Paster’s Teaching
“[Workshops
taught by Paster and Ryan] had a huge impact on the University of Arts
of Belgrade, and the community music students who were directly exposed
to [these] highly experienced U.S. jazz professors and
artists.
More than half of the workshop participants had never before played
jazz, and at the final concert they very capably performed jazz in
front of a large audience... The organizers of the Belgrade
Summertime Jazz and Blues Festival extended an invitation to Bennett
and Greg to come back to Serbia and perform at the next festival in the
summer of 2007... PA Belgrade believes that, as a result of
the
program, more students will interested in studying at the future jazz
department, thereby increasing the value and impact of this
program. The spread of American jazz will greatly enhance the
mutual understanding at a sensitive and important time of U.S.-Serbian
relations... PA Belgrade highly recommends Bennett and Greg
to
other posts and believes that they would be of great benefit to
performing arts and jazz artists around the world.”
Jelena Putre, Public Affairs
Assistant, U.S. Embassy, Belgrade, Serbia March, 2007
“The kids really loved the performance you gave,
and the response they had was a very genuine and heartfelt reaction to
something that was of terrific quality and depth. Your wonderful
playing was equaled by the graciousness that you and your trio showed,
and the kids and teachers were captivated. Truly, it was marvelous.”
John Truitt, Director of
the Music Department at Albuquerque Academy, Albuq., NM
Critical Praise for the Bennett
Paster & Gregory Ryan’s CD Grupo
Yanqui:
“If it were somehow possible to bottle or
otherwise channel the energy of this group and use it to generate
electricity, the country would hardly ever need to worry about power
outages. An exaggeration perhaps, but still an apt description of the
heat this group generates with just five players performing at any one
time. [T]here are elaborate rhythms and harmonies that take time to
unfold and which are played at a tempo allowing the listener to get the
full impact of each melody's maturation process. ... This album will do
very well and is recommended.”
Dave Nathan,
AllAboutJazz.com, February 2002
“AMG EXPERT REVIEW: Highly creative and complex
original music... Involved arrangements, passionate solos, and
vigorous, spontaneous interplay, all with a melodic and cosmopolitan
Latin funk touch. Highly recommended.” (4 stars out of a possible 5)
David R. Adler, All
Music Guide, www.allmusic.com, December 2001
“Somehow these young New York guys seem to never let you down. On Grupo
Yanqui (are they the anti-Grupo Mets?) leaders Bennett Paster and
Gregory Ryan showcase their hip, cerebral, groovy originals and two
standards in a series of fine and energetic performances. Ryan's
"Miller Time" is a hard Latin Funk groove with an interesting and
intelligent line and neat solos all around. Paster's "Mona Se Queda" is
a tight Wayne Shorter-ish thing with a really hip minor chord sequence,
and the band really takes this one somewhere - into a controlled frenzy
in the solos before returning to the subtle line before freaking out
again at the end. It's into the cabaret or ballroom of your choice for
"How Are Things In Gloccamora?", as the fellas cha-cha this one up
quite nicely. Paster's "Fantasy" is a showcase for his understanding of
harmony, dynamics and tension and resolution and how they relate to
composition. Very well done, as is this entirely refreshing recording.
The group shows their sense of humor on the Bebo Valdes closer ‘Cactus
Mambo’.”
Jim Josselyn,
AllAboutJazz.com, January 2002
“Although a North American production, the
recording has all the savory taste of the islands and the Southern
Hemisphere. This band regularly heats up the temperature and lays down
a bountiful dose of syncopated vibrations. It is a solid offering.”
Frank Rubolino, Cadence
Magazine, April 2002
“Grupo Yanqui is headed by the young New Yorkers
Bennett Paster and Gregory Ryan. They play a brand of jazz that is very
much in your head. It is erudite and inventive and very, very
listenable. These fine young musicians are intent on producing a hip
brand of Latin Jazz drawn through the high polish of an Anglo prism.
Saxophonists Terry Cabrera and Chris Cheek carry the band from one song
to the next, hoisted by Paster's full-fisted piano. Latin percussion is
evident everywhere, providing the music with a salsa shiver. Grupo
Yanqui is a fine start. It is about time this group be heard by a
label.”
C. Michael Bailey,
AllAboutJazz.com, May 2002
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